It’s Saturday night in a drizzly Ithaca, NY, and I’m the only person sitting on our Prevost bus, waiting for the rest of the crew to return from a bar before we make our way north into Canada for a show in Toronto. Today marks show 7 of the Glass Animals Fall North American Tour, and what a whirlwind seven days it’s been! It feels like we’ve been out forever, but it’s hardly been a week.
It’s been a hot minute since I last hit the road. This last year has been hectic in terms of my personal life, between big life moments happening with family and lots of inner struggle trying to decide which professional path to continue to down. I took some time to really step aside and let the necessary things happen, and now I’m finally hopping back in and doing so gingerly; making strides to focus my attention on answering some “what ifs” that have been haunting me for far too long. One of those questions was if I should reset my focus on trying to tour consistently, and I think this tour is the universe’s way of giving me the time I need to figure that out.
Prior to this tour, I spent the week in Baltimore working a brand event, so Sunday the 25th I popped on a train from Baltimore to D.C. and made my way south to meet up with the crew who’d had their first show the night prior in North Carolina. Working with a new group for the first time is like your first day at a new school: it’s up to you to figure out the existing dynamic and see where you fit alongside the other characters. For some tours, this can take days, or weeks to really find your place, so I wasn’t sure what to expect.
When I arrived at the Echostage that afternoon, there was a church service being held inside the room (that’s new?), so I wandered through a venue full of little kids and elderly women in their Sunday best to find our bus parked out in back. I was immediately welcomed by a mix of band and crew, shown to my bunk, and introduced to everyone. The first day could not have gone smoother, and it’s only continued that way since. This crew function like a family unit, and they’ve welcomed me to the pack without blinking an eye. By the end of night one I’d been properly introduced to the game of “bummy”, been made a cup of tea, and included in the band’s pre-show ritual. Everything felt seamless and awesome and perfect. There are three “new kids” this tour: one light tech, one guitar tech, and me - the only three Americans (everyone else is English). It’s been fun to see how we’ve all fallen into place, and been neat getting to know everyone a day at a time. I’ve honestly never felt more quickly comfortable and just…at home in a setting as I do with this bunch (except possibly when I first started at Apple). These are my people, I’m good to be myself in every way around them, and take pride in this band and their work like I would a band I’ve been with for years. Tour family is a very real thing, and it’s humbling to feel that in such a massive way so quickly.
Our first chunk of tour went from D.C. to Philly, followed by a day off and two back-to-back sold out shows in New York City. I’ve never really spent time enjoying NYC, but these shows gave me a new perspective on the city, and made for a hilariously perfect three days including dinner dates with good friends, getting to know the crew over drinks at bars, and an incredible art installation from our frontman complete with palm trees, purple lighting, and a super nintendo with Super Mario World rigged to play a chiptune version of the band’s radio single “Life Itself.”
After New York, we headed north for a chilly day in Boston, which happened to be a show where the venue was selling the merch, so I had my first opportunity to photograph the show. Our lighting designer, Louisa, has done an incredible job with this show! It's full of fun fills, color combos, silhouettes, and textures all being displayed across giant Tetris-esque arches hanging on either side of the stage with three giant cacti dispersed in between. I won’t be able to photograph the show again until Chicago, but I can’t wait. I’m lucky to be out with a crew that not only has an awesome stage show, but is giving me the opportunity to create my own art from theirs.
The band is currently touring in support of their new record, How to be a Human Being, which was just released last month. It’s been exciting to see songs coming to life for the first time, and watch the audience react to new music. Their fan base is a mix of die-hards who come dressed as one of the album cover’s characters, to fans who’ve been newly introduced through friends or classmates. The crowds are usually pretty young, and all very excited - for some it’s even been their first concert ever. I’m working really hard to reciprocate that passion by getting to know them, and build on that joy through their time with me at merch. The kids are loving the show and we’ve been flying through merchandise, so it’s been a bit of a whirlwind to keep up with orders and shipments, but I’m enjoying the “hecticity.”
Highlights so far include: bummy in Washington D.C. behind the venue where we hit one too many cars yet managed to not break any windows, my new fanny pack (thanks, Shawn G!), getting tacos for lunch with the whole band in Philly, dinner with the legendary Amanda Lynn Kim in New York followed by walking from Chelsea back to my hotel on the Lower East Side with no directions (like a boss), my massive, crazy, egg-shaped bathtub in NYC, bar escapades and tequila shots after NYC show 1, photographing in Boston after a miserably cold day, and waking up with our bus immediately next to a street fair in Ithaca this morning.
Tomorrow we’re off to Toronto for our first Canada show, followed by a week in the midwest and then an adventure driving across Montana for one show in Missoula en route to the west coast.
More updates to come soon, but for now, enjoy some photos from along the way :)